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The more films I watch the more I notice that sometimes I’m approaching them backwards: I’ve often seen the parody before I’ve seen the picture itself. When I first saw Frank Capra’s It’s A Wonderful Life (1946), for example, I found it was quickly coloured yellow, as Homer Simpson’s take on George Bailey (Jimmy Stewart) came to mind.
In fact, The Simpsons becomes consistently richer the more films I see. References to America’s cinematic heritage appear not only in episode-long treatments of certain pictures but also in the more fleeting echoes of a particular shot or character trait.
Here are some more examples.